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Review: On new CD, she's just being Miley

  • Story Highlights
  • New CD mostly follows the same templates, adds an edgier sound
  • 'Breakout' tunes let Cyrus be feisty without going to Avril-like levels of petulance
  • Cyrus takes up green causes in eco-anthem ''Wake Up America''
  • CD shows Cyrus' change with some guitar-fueled, boy-crazy power pop
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By Chris Willman
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Entertainment Weekly

(Entertainment Weekly) -- Miley Cyrus promised her new album would be more grown-up -- it's the kind of talk that sets off alarm bells when you're a 15-year-old tween idol coming off a controversial, bare-backed Vanity Fair photo shoot.

Cyrus sounds like Dixie Chicks' Natalie Maines on the mournful ''These Four Walls.''

Cyrus sounds like Dixie Chicks' Natalie Maines on the mournful ''These Four Walls.''

She's already got a raspy, middle-aged rocker chick's voice; would she suddenly try to live up to it with more provocative material?

A clue to the answer comes in "Breakout's" opening verse, a harangue against life's cruelest inequities: ''Every week's the same/Stuck in school's so lame/My parents say that I'm lazy/Getting up at 8 a.m.'s crazy/Tired of bein' told what to do/So unfair, so uncool.''

With that, a sigh of parental relief is heard across the land: Our little girl isn't growing up. Phew.

Actually, Cyrus did just the right amount of maturing with her last CD, "Hannah Montana 2: Meet Miley Cyrus", a step up from the wish-fulfillment anthems of Disney's Hannah Montana into guitar-fueled, boy-crazy power pop.

This successor mostly follows the same templates, tossing in a Go-Go's influence for good measure (drummer Gina Schock even co-wrote and sings on the ''Vacation''-esque title track).

"Breakout's" best tunes let Cyrus be feisty without graduating to Avril-like levels of petulance: ''Full Circle,'' ''The Driveway,'' and the single ''7 Things,'' which veers from sensitive breakup song in the strummy verses to punky-pop kiss-off in the double-time choruses.

Here, her demands for repentance are amusingly age-appropriate: ''Your sincere apology...when you mean it, I'll believe it/If you text it, I'll delete it.'' U go, grl.

After all this fun, "Breakout's" second half gets overly ballad-heavy -- guess that's where the growing up factors in -- although, impressively, she's a dead ringer for the Dixie Chicks' Natalie Maines on the mournful ''These Four Walls.''

And then we discover the one clunker, ''Wake Up America'' -- Cyrus' eco-anthem, on which she pleads for the earth: ''Can you give her a little attention?''

The song's a dud, but you've gotta love that she talks about our troubled planet as if it were a needy adolescent.

EW Grade: B

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